It is quieter in the early morning these days with fewer cars starting up to drive to work. In my Arlington neighborhood in Massachusetts, dog walkers rule the dawn. These dog walkers provide a welcome sense of normalcy despite the masks we all wear.
The yards I pass are unusually colorful this October with the dry weather. The view of a soft pink sunrise over Cambridge and Boston from Robbins Farm Park is framed by a deep red tree. Dogs romp here as their owners call out to one another. Robbins Farm has flattened playing fields, and a playground. It also has a community garden which is appropriate for a park that was once a farm.
Continuing down the sidewalk by Robbins Farm, I come to Menotomy Rocks. This altogether wilder park has glacier-carved granite outcrops rising here and there on either side of a wide needle-strewn path leading to a pond. While all the trails are carefully maintained, fallen branches and logs are left to rot. Dog walkers abound as do families with young children getting out of the house.
The natural beauty all around fills my soul. But for me, the walkers and their dogs carry a most important message – Sustaining joy and contentment are still vitally alive and available in this increasingly troubled world.
Signs are sprouting up everywhere in my neighborhood near Boston. The presidential election is coming up soon and that would certainly inspire signs. However many serious issues concern us these days. I have never seen so many signs on my morning walks.
This noble and often charming clamoring includes statements of appreciation. It reminds me to never take for granted our precious right to speak what is on our minds.
When walking about in nature, I respond to the visual beauty of shapes and colors, the effects of light, and the motion of trees and water. The fresh scent after a rain or the call of a bird may add a grace note. The slower natural rhythms and quiet provide a soothing contrast to visually jarring aspects of the constructed world, tight schedules, and everyday stress. But on the other hand, when exploring in nature, one can suddenly come across a jutting cliff, or a rushing waterfall which has a sense of pure natural power which is anything but tranquil.
When I visited Japan to view a number of famous gardens, I was expecting to experience integrated compositions of beauty, tranquility and harmony. I found these in abundance. I learned for example, that massed contours of clipped azaleas can make one feel levitated – like floating on clouds – and that some gardens unfold horizontally, as one might view a scroll in a sequence of linked images.
With these gardens, a vision is being shared and yet each person experiences the garden from their own individual perspective. In a way, a living dialogue happens. I observe and respond to the garden moment by moment, and the garden moves and changes as I move my eyes and feet. This provides delight, energy, grounding, peace, comfort and wonder.
Upon reflecting back upon the many experiences of the trip, perhaps the least expected was the depth of my response to specific areas of Shinto shrines. These sites were not gardens but ancient sacred sites. Stone steps set in the earth led up a short way into the woods to a small square space marked off with a simple straw rope. Within this space was a low boulder.
Nearby was an enormous tree that curved up from a rectangular bed of gravel. The tree was circled by a rope from which hung white paper constructions. At yet another site, I saw a sacred spring that was noted with a sign.
For me, as a foreign tourist with no background in Shintoism, these ancient sites, with their trees and boulders, had a basic and primal quality which was very compelling. I responded to their simplicity, clarity of form, and relationship to the natural setting where dappled light through the leaves enhanced their ancient feeling. They had dignity and great power.
It is interesting to speculate whether these ancient sites have had an influence on the design of gardens created primarily for aesthetic purposes. In Japanese gardens, tress and other natural objects are used with great respect for their essential qualities, and boundaries are normally strong and clear.
When I returned to the United States, I went looking for places that had some of the natural power of these ancient sacred sites. I found that energy when viewing large boulders that had been jumbled together and left by the glaciers.
I began to wonder if some of that power could be brought into a designed garden and whether it would prove to be peaceful or unsettling. The additional question arises of whether being unsettled in such a way would be a good or bad thing. The answers may vary from person to person, but it is always good to remember that we have a fundamental relationship with the pure power of nature.
This article first appeared in the May/June 1999 issueof the Journal of Japanese Gardening which has since been renamed, Sukiya Living; The Journal of Japanese Gardening.
Many of us are attracted to the playful, quaint and fanciful. Children take to it naturally, of course, but you can also find it in New Yorker cartoons and a satirical print of a calligraphy class – see detail below. I think that is a good thing. A taste for whimsy is one of the more appealing human traits.
The gentle art of whimsy can provide a point of light that is especially appreciated in dark times. During the postlude to a virtual church service in these times of COVID 19 social distancing, two children vigorously “played” a large organ displayed behind them in their little Zoom rectangle.
When is the last time you engaged in banter or added a small whimsical touch where it could bring you and others a moment of joy?
Japanese tea ceremony’s flowing process for preparing a bowl of tea may strike one as elegant or beautiful. However, for those unfamiliar with the art, just viewing a demonstration may not provide much insight into the depth that lies just below the surface.
Tea practice evolved over time. After it was introduced to Japan from China, tea was grown at Zen monasteries. Processed and ground tea leaves were mixed into hot water to support the monk’s alertness during meditation. This emulsion supports considerable and sustained calm awareness all by itself. It was also used as a form of medicine – matcha has many health benefits.
When the warrior elite adopted the drink, they delighted in collecting and showing off costly tea utensils. These objects were used as proof of political authority, and given to generals as rewards.
In the 1500’s, merchants with Zen training adopted a style of sharing tea imbued with refined rustic simplicity. All social classes and women were invited to participate. In this space apart, all present were honored and treated with great respect. Sen no Rikyu brought this style of tea preparation to its peak. Since that time, standards for Japanese tea ceremony have been maintained by hereditary tea schools.
Business executives adopted the way of tea followed by young women who would often return to it after raising their children. Learning about the many arts (like flower arranging, brush painting and ceramics) that tea ceremony employs was another way to fill free hours. Urasenke, the largest tea school, established chapters outside Japan in 1951. They recently began publishing books in English with detailed instructions and extensive photos starting with the styles of preparing tea that beginners learn first.
Tea practice in my tea hut (see the photo above) brings me into this season, and this time of day, embodied and grounded. There is something about the natural movements that brings one into accord with nature’s rhythms. Many comment on how time seems to slow down. With attention fully directed to what one is doing in the moment, there is no bandwidth left over for worrying about how one is perceived, or ego posturing. While you might think tea ceremony’s proscribed procedures would make it feel stiff or impersonal, it actually feels surprisingly intimate. Despite the formality, the caring generosity built into the practice is very real.
Under the right conditions, awareness may broaden to encompass everyone in the tearoom, the mossy tea garden and then expand outward from there. Even when mistakes occur or the right utensil is not available (creative improvisation is definitely appropriate per the tea literature), tea practice consistently brings me centering peace.
From tea ceremony I learned how bringing attention and intention to potentially annoying everyday activities can transform them. Washing dishes can become joyful service and meditative play. Tea ceremony teaches that it is possible to live life more like an intentional work of art with deep respect for the potential in each moment.
I find Morrisonite to be particularly rich in details. Both the jasper and the beautiful location where it is found stimulate the imagination. I can count on delightful surprises when I attempt to capture its endless patterns and colors in closeup photos.
The slabs shown below include an entire cross section of a jasper seam. The second photo shows a small section of a slab. Several examples exhibit the overlapping egg pattern that also occurs in several other types of jasper.
Lapidary artists find a great deal to select from. While the finished cabs can be set in jewelry, the best are often acquired by collectors who prefer to keep these little works of natural and lapidary art just as they are.
As soon as I started the photo series, I was totally entranced. There were worlds of dazzling design in the abalone shells’ spiraling concave interiors. I might discover an area of delicate veiled dreams or bold drama. Taking closeups and seeing what the camera had captured became an addiction.
I began to sense how the shimmering designs carried the rhythm of the tides that the abalone depended upon for all their needs. There were encoded hints of whale song yearning and how our planet breathes as it dances with its companion moon.
Turn a piece of Labradorite and you can sometimes see flashes of bright color. The crystal structure selectively reflects these colors to the eye in an effect called “labradorescence”. A valuable variety from Finland known as “Spectrolite” has colors that stand out against a darker background.
While this stone has been compared to the Northern Lights and some prescribe to it protective or visionary qualities, Labradorite’s colors alone are enough for me to want to spend time with it.
Now we are keeping to our homes, animals are coming closer. During solitary dawn walks to listen to the bird chorus, I come across rabbits just sitting there in the middle of the road. A neighborhood fox ran across adjoining backyards. Our generation has access to so much recorded history and information, and to so many things. Yet nature has her own inescapable ways and her own time table.
My most recent post was about what happened after I removed a fence I had allowed to decay naturally. The table in the photos below will likely be around much longer. Lichens will shun it. If we are indeed living in twilight times, I cannot help hoping that dappled light will still find the shiny objects humans leave behind.
I did not use preservative on the bamboo sleeve fence, preferring to let it weather naturally. In 2010, it was still holding up, drawing the eye to the glacial scraped granite outcrop at the center of the backyard. In winter, the slats captured snow.
By 2017, the fence had begun to disintegrate while the lace leaf maple behind it was making a more substantial statement of its own. In 2019, I decided to give the fence one more year.
In May 2020, it was time. With the cool weather, the oaks had not fully leafed out and light streamed from behind the tea hut. Perhaps light always filters through like that in the spring. With the fence in place, I might not have noticed. Paying attention to what inspires wonder seems particularly important in these dire times.
I wanted the fence to separate the sunken area behind the hut – to keep it special. Now a magical light radiated from that corner as if the spirit of the place had grown so strong it could no longer be contained.