Water Tower Magic

On September 7, 2014, a unique event took place to celebrate a local landmark (below) that was turning 90 years old. The notice I saw spoke of images of local places by both youth and adults. Each art work would be briefly projected on the substantial Arlington, MA Reservoir structure before another took its place. Curious, I took my camera and portable canvas sling bench to the classical revival water tower.

The images can only hint at what it was like to walk up the road to the top of the hill as the glowing tower came into view. I joined the crowd that had gathered there as darkness descended and the Luminarium Dance Company interpreted the images to music issuing from two large loudspeakers.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

More Than Just Stones

I had the shadow box for some time before I discovered what I wanted to do with it. It was a multi-step process: 1) Pick a stone, 2) Find or take a photo that told a story about the stone, 3) Arrange the stone and photo in the shadow box, and finally, 4) take a photo of the completed arrangement like those below. I could not predict what would happen. The ones I struggled with could come together in perfect balance in the end. I kept thinking of new possibilities. This could be endless. Stones just have resonance.

OLYMPUS DIGITAL CAMERA

Morrisonite jasper slab with closeup taken from the top right.

OLYMPUS DIGITAL CAMERA

Lobster claw Scholar’s Rock with a lobster roll.

OLYMPUS DIGITAL CAMERA

Bubble lace agate with closeup.

OLYMPUS DIGITAL CAMERA

Hut Stone Scholar’s Rock with Japanese garden photo.

OLYMPUS DIGITAL CAMERA

Jasper pebble & the Whidbey Island beach where I found it.

A Cat Kindred Spirit

Jude needed a new home. When Shah Hadjebi told me she was a special cat, I knew I could believe him. As it turned out, that cat and I were kindred spirits. When I was home she was always with me. Unlike most cats, she liked to be carried. Since she loved looking out the large kitchen window, I began to carry her for daily walks in my garden. She could be playful and active at times, loved catnip, and when she wanted to go somewhere she let you know it.

I cuddled her under a blanket “cave” when I knew her days were numbered. I told her, “All we have is the present moment.” Cats understand that. They live their whole lives that way. A year after she died, I asked Shah to paint her portrait. He used the photo of her looking up at a blue jay through the kitchen window, a most fitting way to celebrate the life of a cat we both loved.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Jude

Kintsugi: Two Tea Bowls Mended with Loving Care

There are very few practicing the traditional craft of kintsugi (literally gold mended) in Japan, although you can purchase materials online and try it yourself.

You can also find examples with related concepts. This article describes three aesthetic concepts related to appreciation of nature including the illusive wabi sabi. Other Japanese concepts related to kintsugi include, mottainai (regret about waste), and mushin (openness to transience).

OLYMPUS DIGITAL CAMERA

The example above was a favorite “travel” tea bowl of a Japanese tea ceremony enthusiast. When it broke in transit, honoring it by having it mended using a nontraditional color (normally kintsugi uses gold, silver, or platinum) certainly gave the bowl vibrant new life. Its owner treasures the bowl for the whole series of memories it has accrued including this latest set.

When I first encountered kintsugi, my first thought was about the time-transcending collaboration; the one who made the bowl, the forces that broke it, and the one who mended it all contributing. I could imagine the bowl held gently in the hand as it was fixed linking the spirit of the mender to the spirit of the maker, even if the maker was long dead.

There are many good reasons to mend a bowl. From tending my tea garden and dealing with storm damage along with all the seasonal changes, I learned the wisdom of honoring the potential of what is here now.

Like everything else, we are subject to constant change.  We are by no means immune from shattering.  But we are also gifted with the ability to work with the creative potential of change, something which informs the very heart of beauty.   Kintsugi adds depth to new wholeness by using, and indeed celebrating, the mending where breaks once occurred.

OLYMPUS DIGITAL CAMERA

The owner of this beautiful bowl by Brother Thomas considered having it mended so the repair would be invisible.  In the end, the gallery owner decided to have it mended using gold leaf.  When shown the bowl, Brother Thomas said he liked it better that way. The above bowl remains a very happy part of the gallery owner’s personal collection.

Although Audrey Harris was not so pleased with her first attempts at mending using kintsugi, the lessons she learned with the help of her teacher were certainly treasures. Kintsugi is brimming with metaphoric lessons.

Here is another video showing a particularly powerful use of this metaphor.

Addendum: This post was updated on 3/11/19 to include the video on the meaning of kintsugi for a survivor.

Abalone Portraits

When the abalone shell arrived, it had a crack in it. I decided to take a photo anyway. What I saw in the image was much more than I expected. We are like this, I thought. We forget the extraordinary beauty that comes right up to our cracks.

I could not stop taking close-ups as abalone arrived at my door from all over the world. The slightest shift brought dramatic color changes. In this conversation with light and mystery I sensed a deeper connection. There were so many lessons here, a spiraling out to a universe of being. Joy and grief blended with so much at risk for the abalone and for us.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

On the Same Wavelength

OLYMPUS DIGITAL CAMERA

Now Shah Hadjebi is focusing on his painting, a talent that runs in his family. Some of Shah’s watercolor images have been transferred to clothing and pillows like the one I treasure shown above. Shah and I would meet at an Indian restaurant with only a few tables. We usually had the place to ourselves. We inspired each other to sense and share in multiple dimensions as we discussed ideas for a press kit for his new “Departure” jazz album.

Connecting with clients to help them promote their creative passions is always enlarging as well as a source of great joy. Every once in a while, magic happens:

I first reached out to Shah Hadjebi for feedback on a sentence I planned to use in an article for a concert series I support. Here is what I wrote about his music: “This is the type of music you want to share with a close friend while traveling on the open road on a spectacular, star-spangled night.” To my surprise, Shah asked me if I would like to do PR for his group even though we had never met.

He explained that musicians would come and go as his group evolved. But they were all pros who could join in his vision and perform with minimal rehearsal. Their diverse backgrounds including African American, Persian, Malaysian, and Japanese added depth to the sound.

A benefit of taking Shah up on his offer was hanging out with the group at selected rehearsals where I got to talk to them during breaks. I also attended the concerts at places like the Hard Rock Café, and Johnny D’s.

When I did research for the new album’s press kit, I discovered that Persian blue is actually a family of colors associated with lapis lazuli. These colors are found in the glorious tiles used in middle eastern palaces and mosques. The Persian indigo variation is derived from the plant used for dying cloth for centuries in many cultures ranging from wax resist masterpieces in Japan to ubiquitous “blue jeans.” The lighter medium Persian Blue with its greater admixture of green suggests ocean and lake water.

The group’s logo shows hands holding up the famous NASA photo of our planet taken from space. I wrote, “Shah’s music speaks of sunrises, and departures; both the good life and our profound human struggles. Shah loves natural beauty, and the rich cultural diversity to be found in our one world. Both the logo and his music convey his warmth toward every single one of us who hold this precious small planet in our hands.”

When I had trouble reaching him, I decided to listen to an advance recording Shah had given me. These words just seemed to flow:

“The first cut, ‘Departure,’ is a drifting dream with a sense of ocean tides and deep undercurrents. The main theme first presented by the sax is haunting and draws you in before ocean waters wash ashore. Here one also finds the ebb and flow of sensed connection between two lovers who are not touching but read each other very well.

With ‘It’s all good’ you are looking in the door at a party with interesting guests who do not take themselves too seriously. There are conversations, comings and goings, laughter, ice clinking in glasses. A bit later, a talented couple starts dancing with others clapping in time. The couple continues to dance while a loud conversation starts up in another part of the room and things get looser and wilder. If you do not believe all this is happening, just listen to the music and come up with your own version.

When angels cry’ is thoughtful and mellow with vocals and various instruments telling the main story, followed by elaborations and comments. There is regret that is all the more poignant since the pure feeling is becoming diluted with time.

Dude where’s my boat?’ is a curious title. The composer has spent some time simply messing about in boats. In the fashion of jazz titles, you can go anywhere or everywhere. Did he really misplace his boat? Did it depart without him? Or was this one of those frustrating dreams, in which you find yourself lost? There are some rich Persian motifs in this one and a bit of metal rock sound.

Sunrise‘ (Sunrise music video) is richly evocative of a time of day beloved by this morning person composer who often does his best creative work in the early morning hours before others are up and about. The music presents a sky transforming with remarkable colors in real-time. It ends with well-being: a great cup of coffee in hand and anticipating a day rich in promise ahead.

The last three songs are different. For one thing, they reflect Shah’s experience writing and performing rock. For another, they reflect his multi-cultural sensitivity to the darker side of human nature.

Questions are asked about those who misuse power as well as those who fail to struggle against injustice and adapt. Whether taken at a national, village, or family level, as well as within each of us, these are familiar themes. The last song uses understatement to convey the horror of truly knowing and loving peace, and also living with the awful silences of war.

There is certainly a clear plea here. Of all the many meanings of ‘Departure,’ let’s hope that human compassion gradually wins out over our historical fear and insanity. Then we can see the sunsets, sense the sexual tension, enjoy the parties and even, occasionally, miss the boat.”

I sent Shah the draft telling him it was only a start. However, he told me not to change a thing; that both he and his family liked it just the way it was.