Tea and Dialogue in an Older Adult’s Home

T&D at Sally's

The simple Chinese restaurant teacups and thermal carafe we used for tea and dialogue are visible as Sally shares her story about all that she noticed during a walk along a dirt road.

On June 21, 2019, I made decaffeinated green tea in a thermal carafe, checked that the temperature was between 160- and 165-degrees Fahrenheit, and packed it along with teacups and a singing bowl. Jeff Klein gathered his video equipment and we went together to visit my 97-year-old mother. We hoped to capture the adaptability of tea and dialogue practice while also showing how well it works to bring it to older adults who may find it difficult to travel.

A few still photos were added to the video created of that practice to help viewers relate to the memories we shared. At first Sally was concerned that she might not know what to say, but when I explained we would be sharing about “Nature as Artist,” that seemed to put her at ease.

I chose the topic knowing that the beauty of nature is a passion for us both. I also planned to adapt tea and dialogue to what seemed most beneficial at the time. Videos of a full version of the basic practice were captured of a session that took place in my tea hut.

Sally’s comment “It’s a party!” acknowledged the positive cultural connotations of sharing tea. Drinking tea as a focus for mindful awareness seems to work for most people. This was noted by artist Lidia Kenig-Scher in a video made of creative tea and dialogue. Jeff used a slow-motion camera to capture Sally drinking tea. That footage highlights the embodied awareness that presumably flows into and supports the dialogue that follows.

Although I did not anticipate it, the dialogue focused on sharing cherished memories. I spoke of memories of taking photos of leaves and Sally described what she experienced during a walk along a dirt road. Her detailed narrative of all that she noticed was a testimony to her natural mindfulness. There is research evidence that older adults may be better at telling stories than younger people.

What a contrast our interaction was to the invisibility that older women can complain of due to ageism. There was a lingering sense of closeness from the experience, and satisfaction from the understanding that both of us felt understood – that our appreciation for nature mattered. Jeff told me the video required little editing. He described it as “low hanging fruit.”

I am most grateful to Sally and Jeff for helping with this video.

Sally Fink started camping in the New Hampshire woods as a child. She and I have shared countless walks in the woods in many settings. After the session, Sally told me she regrets she can no longer take such walks. I said we can go there by talking about it and she agreed.

Jeffrey Klein is a bilingual videographer with a 25-year career in multi-media production in Japan and the United States including podcasts and videos intended for retail, business, entertainment and educational contexts. Samples of his work are available at his website.

Basic Tea and Dialogue with Spoken Dialogue

Basic T&D

Jan Surrey opened the session by striking a bell. Its round shape, like the pale water basin in the garden to the right and our round teacups might suggest wholeness or perhaps the Zen enso.

On June 2nd, 2019, five older adults (see their bios at the end of this post) joined me for a tea and dialogue session in my tea hut where a painting of our contemplation topic, “the unending sea of blessings” was displayed:

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Expert Insight Dialogue teacher, Jan Surrey, provided an introduction to the Insight Dialogue guidelines that are used for tea and dialogue practice. The introduction was kept separate so that video can be used in a variety of contexts. Together the videos at the hyperlinks below show how the practice supports meaningful connection that combats harm from social isolation which can be particularly dangerous for older adults:

Video 1 Introduction to the Insight Dialogue Guidelines
Video 2 Sharing tea and dialogue

Jim Flavin, the musician who had improvised on a variety of instruments as the painting evolved during creative tea and dialogue and Lidia Kenig-Scher, the artist who made the painting both agreed to attend this June 2nd session in my tea hut. Anita Malone Clarke who contributed blueberries and a wonderful story to go with them sat between them while videographer, Jeff Klein, captured the session.

Iris had just started blooming in my garden that morning. Jan Surrey said, “like iris unfolding” in explaining the guideline “Open”. This artful simile hinted at what we can miss when we fail to open and attend to the beauty of such transient moments. Jan’s facial expressions, gestures and tone of voice reinforced her words, providing a sense for the deeper perception she was modeling as she invited us to make use of the powerful guidelines developed by Gregory Kramer – Pause, Relax, Open, Attune to Emergence, Listen Deeply and Speak the Truth.

The second video shows respectful tea sharing, reminders of our interdependence with nature and each other, and meditative dialogue. Generosity is seen in all the contributions and the attentive listening. Dignity is seen in taking turns, bowing, respectful facial expressions, and pausing to take in what each person says. Both generosity and dignity support trust. Without trust, meaningful connection doesn’t happen. We need to feel safe enough to truly show up so we can be seen and appreciated just as we are. This video shows the nonverbal music of trusting openness met with respect and acceptance as well as explicit statements of appreciation.

Video is able to provide a felt sense for tea and dialogue where a great deal is conveyed via such nonverbal social clues as nodding, supportive glances, smiles, and tones of voice. The caring connection it creates seems perfect to support older adults who are at risk from social isolation which has been found to be as bad for health as smoking or obesity. The highly adaptable practice can be offered in older adults’ homes. Tea and dialogue supports meaningful connection even when offered remotely via video conference, making it of particular interest at times when distances are an issue or physical isolation is necessary.

I am deeply grateful to all those who agreed to participate in these videos:

Anita Malone Clarke came to the United States from Honduras Central America. Many years as a nurse practitioner taught Anita how important healthy choices and supportive relationships are for wellbeing. She deeply appreciates and believes in eating the wonderful whole foods that nature provides in abundance.

Jim Flavin is a musician and certified practitioner and teacher of Jikiden Reiki. He collects percussion instruments from all over the world and shares them with others in the drum circles he leads. His work as a contractor provides many opportunities for the practical application of mindfulness. He believes in spreading unconditional love through expressing respect, kindness and honesty in all relationships.

Lidia Kenig-Scher is an award-winning mixed media artist and transformational catalyst. Her intuitively conceived works are installed in the interiors of successful homeowners and entrepreneurs, many of whom claim that the art emits a vibration capable of positively affecting their lives and the spaces where the art is installed. This highly decorated interior designer and Feng Shui master also teaches people to “paint from the heart,” a meditation-based technique grounded in more than 40 years of Buddhist practices and intense spiritual work. Lidia notes that her artworks invite personal growth because she too starts by opening her heart and trusting her brush to paint the truth.

Jeffrey Klein is a bilingual videographer with a 25-year career in multi-media production in Japan and the United States including podcasts and videos intended for retail, business, entertainment and educational contexts. Samples of his work are available at his website.

Dr. Janet Surrey teaches Insight Dialogue retreats worldwide as well as leading a monthly practice group in the Boston area. She serves on the Teachers Council for the Insight Dialogue Community. Starting in 2007, she has been working with Gregory Kramer, founding teacher of Insight Dialogue meditation, a relational meditation practice within the Theravādan Buddhist tradition. She is a practicing clinical psychologist and a founding scholar of the Jean Baker Miller Training Institute at Wellesley College. She is also on the board of the Institute for Meditation and Psychology.

Creative Tea and Dialogue with Art, Music, and Spoken Reactions

Creative T&D

Lidia Kenig-Scher painted while Jim Flavin played various instruments. Here, Jim improvises on the didgeridoo while below it singing bowls respond sympathetically.

In April and May of 2019, four of us worked on a project to capture footage of a creative variation of tea and dialogue while a painting emerged in response to “the unending sea of blessings,” a Japanese scroll saying and the guidelines we used. The plan was to display that painting in my tea hut for a later tea and spoken dialogue session

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This edited creative tea and dialogue video provides a sense for what occurred over the three sessions of collaborative music and painting including selected spoken reactions and discussions as the process evolved. We had previously discussed and practiced Gregory Kramer’s Insight Dialogue guidelines – Pause, Relax, Open, Attune to Emergence (previously Trust Emergence), Listen Deeply and Speak the Truth. These guidelines are referred to in remarks at various points in the video.

After we shared tea in her living room, Lidia Kenig-Scher worked in her studio as Jim Flavin played a variety of instruments in the next room and videographer, Jeff Klein, captured the action. The materials, tools, and effort involved lent a grounded, down to earth quality to this multimedia dialogue. The video shows how the rhythms and the feeling of the music influenced Lidia’s brush strokes. Jim mentioned feeling a connection even though he could not see the painting.

The tea we drank at the start of the second session had four ingredients. Since there were also four of us, that seemed a great metaphor for our communal awareness that retained what we each contributed to the blend.

The video shows a particularly vivid example of the stages described by Mitchell Kossak in Attunement in Expressive Arts Therapy: Toward an Understanding of Embodied Empathy where periods of seeking safety and risk taking ultimately result in an experience of the universal. Lidia had put up a quote about the wisdom of trusting emergence rather than forcing things on her studio wall some time ago. Jeff trained his camera on that quote and his comment about how well that quote expressed what happened the previous day is included in the video soundtrack.

After the doubt, empathic support, and effortless expansive creative flow, the completion of the painting recognized by a hug, felt particularly powerful. That hug also symbolized the closeness the practice supported. I could not help but be grateful that we were capturing all that on video.

I am glad we discussed our common belief that creativity is not just for professional artists. Nor is it just for the young. Contrary to what younger people might believe, older adults can actually experience reduced anxiety and increased life satisfaction; they may no longer care as much about what others think about them, bringing a new and most welcome sense of freedom that supports creativity. In fact older adults bring a number of gifts to tea and dialogue practice. Creative tea and dialogue is certainly not just for professionals as this joyous example shows.

I am most grateful for the generosity of these talented artists:

Jim Flavin is a musician and certified practitioner and teacher of Jikiden Reiki. He collects percussion instruments from all over the world and shares them with others in the drum circles he leads. His work as a contractor provides many opportunities for the practical application of mindfulness. He believes in spreading unconditional love through expressing respect, kindness and honesty in all relationships.

Lidia Kenig-Scher is an award-winning mixed media artist and transformational catalyst. Her intuitively conceived works are installed in the interiors of successful homeowners and entrepreneurs, many of whom claim that the art emits a vibration capable of positively affecting their lives and the spaces where the art is installed. This highly decorated interior designer and Feng Shui master also teaches people to “paint from the heart,” a meditation-based technique grounded in more than 40 years of Buddhist practices and intense spiritual work. Lidia notes that her artworks invite personal growth because she too starts by opening her heart and trusting her brush to paint the truth.

Jeffrey Klein is a bilingual videographer with a 25-year career in multi-media production in Japan and the United States including podcasts and videos intended for retail, business, entertainment and educational contexts. Samples of his work are available at his website.

What it Means to Have Faith in The Unending Sea of Blessings

The Sea of Unending Blessings SMALL

Painting of The Unending Sea of Blessings by Lidia Kenig-Scher

“The Unending Sea of Blessings”

According to William Scott Wilson in The One Taste of Truth: Zen and the Art of Drinking Tea, page 135:

“This phrase from the Kannon-kyo is the summation of the life, free of obstructions, that we can have if we put faith in the Bodhisattva Avalokitesvara.

If, in a lawsuit, you stand before a magistrate,
Or are in dread and fear on the battlefield,
Think upon the power of Avalokitesvara,
And all the myriads of enemies and their hostilities will retreat and disperse.
The wonderful sound, the Perceiver of the World’s Sounds,
Brahma’s sound, the sound of the tidal sea
Surpasses the sounds of the world
And for this reason, should be constantly kept in mind,
Thought by thought, never giving rise to doubts.
Perceiver of the World’s Sounds, pure wisdom:
When in pain, suffering, or close to death,
He is able to provide a foothold and support,
Provided with all merit and virtue;
His compassionate eyes never leave sentient beings:
An unending sea of blessings.
For this reason, you should bow with deepest respect.

It is also a recognition that despite all our grousing and discontent, we are already fully blessed. To truly understand this, however, we must get past our egocentric selves. Avalokitesvara, the Bodhisattva of Compassion, enjoins us to act not in response to our own pain and suffering, but to that of all other sentient beings. This Bodhisattva is often depicted with a thousand eyes with which to see suffering the world over, and a thousand arms with which to act for its cessation.

In some understandings of Buddhism, all Buddhas, bodhisattvas, and attendant gods are reflections of our own potentialities. In this way, Avalokitesvara is the Unending Sea of Blessings, and we ourselves are Avalokitesvara, and are ourselves the source of unending blessings.”