On the Same Wavelength

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Now Shah Hadjebi is focusing on his painting, a talent that runs in his family. Some of Shah’s watercolor images have been transferred to clothing and pillows like the one I treasure shown above. Shah and I would meet at an Indian restaurant with only a few tables. We usually had the place to ourselves. We inspired each other to sense and share in multiple dimensions as we discussed ideas for a press kit for his new “Departure” jazz album.

Connecting with clients to help them promote their creative passions is always enlarging as well as a source of great joy. Every once in a while, magic happens:

I first reached out to Shah Hadjebi for feedback on a sentence I planned to use in an article for a concert series I support. Here is what I wrote about his music: “This is the type of music you want to share with a close friend while traveling on the open road on a spectacular, star-spangled night.” To my surprise, Shah asked me if I would like to do PR for his group even though we had never met.

He explained that musicians would come and go as his group evolved. But they were all pros who could join in his vision and perform with minimal rehearsal. Their diverse backgrounds including African American, Persian, Malaysian, and Japanese added depth to the sound.

A benefit of taking Shah up on his offer was hanging out with the group at selected rehearsals where I got to talk to them during breaks. I also attended the concerts at places like the Hard Rock Café, and Johnny D’s.

When I did research for the new album’s press kit, I discovered that Persian blue is actually a family of colors associated with lapis lazuli. These colors are found in the glorious tiles used in middle eastern palaces and mosques. The Persian indigo variation is derived from the plant used for dying cloth for centuries in many cultures ranging from wax resist masterpieces in Japan to ubiquitous “blue jeans.” The lighter medium Persian Blue with its greater admixture of green suggests ocean and lake water.

The group’s logo shows hands holding up the famous NASA photo of our planet taken from space. I wrote, “Shah’s music speaks of sunrises, and departures; both the good life and our profound human struggles. Shah loves natural beauty, and the rich cultural diversity to be found in our one world. Both the logo and his music convey his warmth toward every single one of us who hold this precious small planet in our hands.”

When I had trouble reaching him, I decided to listen to an advance recording Shah had given me. These words just seemed to flow:

“The first cut, ‘Departure,’ is a drifting dream with a sense of ocean tides and deep undercurrents. The main theme first presented by the sax is haunting and draws you in before ocean waters wash ashore. Here one also finds the ebb and flow of sensed connection between two lovers who are not touching but read each other very well.

With ‘It’s all good’ you are looking in the door at a party with interesting guests who do not take themselves too seriously. There are conversations, comings and goings, laughter, ice clinking in glasses. A bit later, a talented couple starts dancing with others clapping in time. The couple continues to dance while a loud conversation starts up in another part of the room and things get looser and wilder. If you do not believe all this is happening, just listen to the music and come up with your own version.

When angels cry’ is thoughtful and mellow with vocals and various instruments telling the main story, followed by elaborations and comments. There is regret that is all the more poignant since the pure feeling is becoming diluted with time.

Dude where’s my boat?’ is a curious title. The composer has spent some time simply messing about in boats. In the fashion of jazz titles, you can go anywhere or everywhere. Did he really misplace his boat? Did it depart without him? Or was this one of those frustrating dreams, in which you find yourself lost? There are some rich Persian motifs in this one and a bit of metal rock sound.

Sunrise‘ (Sunrise music video) is richly evocative of a time of day beloved by this morning person composer who often does his best creative work in the early morning hours before others are up and about. The music presents a sky transforming with remarkable colors in real-time. It ends with well-being: a great cup of coffee in hand and anticipating a day rich in promise ahead.

The last three songs are different. For one thing, they reflect Shah’s experience writing and performing rock. For another, they reflect his multi-cultural sensitivity to the darker side of human nature.

Questions are asked about those who misuse power as well as those who fail to struggle against injustice and adapt. Whether taken at a national, village, or family level, as well as within each of us, these are familiar themes. The last song uses understatement to convey the horror of truly knowing and loving peace, and also living with the awful silences of war.

There is certainly a clear plea here. Of all the many meanings of ‘Departure,’ let’s hope that human compassion gradually wins out over our historical fear and insanity. Then we can see the sunsets, sense the sexual tension, enjoy the parties and even, occasionally, miss the boat.”

I sent Shah the draft telling him it was only a start. However, he told me not to change a thing; that both he and his family liked it just the way it was.

Author: katzlator

I am a graduate student interested in how we can support each other's growth and wellbeing through honest sharing and creative collaboration.